Branches of a House
From a Conradian vantage point on the banks of the Thames to Lodz’s Piotrkowska Ulicia, the longest street in Europe, Agnieszka Studzińska calibrates her seeing on history’s ruins making their way into the private intimacies of home and the unhomely. The architecture of fragments—of bones, of the conversations with grandmothers, husbands, children, and the overheard violences of strangers—takes up Blanchot’s call to unwork silence, to arrive at a new language. Stunningly deft and formally alive, these poems at every turn metamorphose a self to deliver, unforgettably, on that very promise of newness. Sandeep Parmar
“The measurements of existing from the inside, given through the concentrated, elegant details of the outside -this is a book of memory, of record, of heightened perception, in poetry. It’s a remarkable, measured, generous collection, driven by an awareness and insight that reaches past the language of the outer world into a confrontation with something permanent and transitory. In this paradox is the brilliance. SJ Fowler
What Things Are
A subtle and beautiful collection in which – poem by poem – the possibility of true knowledge is tested. Intimate and attentive, each poem returns to the question of what we can know of the world and each other. Michael Symmons Roberts
‘A sparrow in a new corner of the garden, looking -’ the line describes the poet’s son, but might well stand for the closely observant and unexpected ways Agnieszka Studzinska’s poems describe the world. There is care for language everywhere in What Things Are. Each poem seems to be a building block in a personal story of love, parenthood and family, giving this collection a narrative energy and reflecting how we treasure and take care of those around us. Hannah Lowe
Arresting and intimate, Studzinska’s poems cast a fearless eye on the world. This is an intelligent and passionately felt book. Deryn Rees Jones
Snow Calling
This collection of poems deals with the naming of things: trying to make sense of relationships, mortality,one’s own place in the world. Agnieszka Studzinska’s poems are quiet but tough in approaching those difficult themes head-on. Tamar Yoseloff
In Agnieszka Studzinska’s spacious poems, the precision and uncertainty of nature invoke the fragility of what it is to be human, what it is to love. Anne-Marie Fyfe
Agnieszka Studzinska’s poems convey the strangeness and freshness of the world, as if it were inscribed on memory or out of memory onto language sharp enough yet transparent enough to let us see and feel it. George Szirtes
Featured Poetry
Magazines
Fenland Poetry Journal (2021 forthcoming) Autumn and Panorama
https://fenlandpoetryjournal.co.uk
Shearsman Magazine (2021 forthcoming) Spring and Area
Gutter (2021 forthcoming ) Dear Ghost (I)
Butcher’s Dog (2020) Blue
Finished Creatures Magazine (2020) Flamingo
The Manhattan Review (2019) Foundations
The Long Poem Magazine (2018) Winged Narratives
Flash Fiction ‘Permanence‘ (2019) https://www.reflexfiction.com
Wild Court (2017) http://wildcourt.co.uk/new-work/conrad-60-notes-towards-poem-agnieszka-studzinska/
-Agenda vol 44/vol 45 No1
-Review of Valzhyna Mort in Wolf Magazine
-Review of Gail Ashton for Eyewear Publishing
– Mslexia issue 67 2015 – [Poem Up Close)]
-The Wapping Project passage1 poem http://thewappingproject.org/the-wapping-project-passage/